Tuesday, May 31, 2011

For Sale: The Most Beautiful House in San Francisco


It has been whispered that Larry Ellison, Oracle founder, made an offer that was not refused.

We hear $40 million. That's a lot of hardware, and software. Pre-emptive strike?

Broadway is buzzing with gossip. We stay away from hornets' nests.

Now it’s whispered that Larry did not buy it — and that the asking price might be $45 million, or is it $25 million?

San Francisco Realtor Malin Giddings, so professional and so very discreet and elegant, is not talking. 

If you have a spare $45 million and would love to move to the best location in San Francisco (adjacent to Larry Ellison, as it happens, and with the best view of yachts on the bay)...check in with her at www.sfproperties.com

Though the Rosekrans house is not strictly listed yet, it has created lots of interest and hardly a moment goes past without someone telling me 'Mr.Gotrocks has made an offer' or 'Miss Heiresstobillions is desperate to get it' or 'Mrs Sochicithurts is on the prowl'. 

In one ear and out the other!


The decor of the living room is exactly as Michael Taylor designed it in the ’70s. Taylor selected the large-scale 18th century William Kent chairs, which were upholstered in chartreuse silk-velvet.



Let’s take one last look at Dodie’s Spanish-inspired house, once the residence of the Archbishop of San Francisco. Oh, the stories these walls could tell. 

Now the major paintings have been sold at Sotheby’s. The Picasso above the mantel went for $12 million, it seems. And the jewelry and furniture and antiques will be sold at Sotheby’s later this year.

Let’s enjoy these beautiful lost interiors one last time. 

On opening nights at the San Francisco Museum of Modern Art, at diamond-dazzled Paris Opera galas, masked balls in Venice, or the big bash to honor Yves Saint Laurent at the de Young Museum in San Francisco, there was one exotic and glamorous woman who was always the center of attention.



San Francisco arts patron Dodie Rosekrans, formerly a grande dame on the world stage, spent much of her life bewitching an international coterie of social lions, art lovers and fashion fanatics, principessas, dukes, couturiers and their courtiers .

Dodie (more formally Mrs John. N. Rosekrans Jnr), always attracted paparazzi at parties in her Jean-Paul Gaultier ‘Firebird’ feathered jacket, her Galliano couture gowns, and most recently her edgy Yamamoto coats, her Comme des Garcons skirts and her Rick Owens leather jackets, all worn with her unmistakable stamp of the avant-garde.

Dodie used to divide her year, carefully following the art, social and fashion calendars, between her mansion in San Francisco (fall and Christmas), her chic jewel-like apartment in Paris, (spring), and her theatrical grand palazzo in Venice (summer until early September when she watched the Venice Regatta from her Grand Canal palazzo balcony).




“Top designers—Yohji Yamamoto, Rei Kawakubo, Christian Lacroix, John Galliano, Junya Watanabe, Rick Owens, Yves Saint Laurent, Kaisik Wong, Karl Lagerfeld—are all artists and I admire their creativity, originality, and avant-garde sense of style,” said Rosekrans, in a private interview at her Pacific Heights house.

She was born in San Francisco and attended a private girls’ school in Pacific Heights.

“I didn’t set out to be original. I wear what appeals to me. It happens that many of the fashion designers, like Galliano and Gaultier, are friends of mine and I like to celebrate their joyful work and enjoy sense of style,” Rosekrans told me.

Her closets and crammed attic were filled with decades of couture gowns, resplendent kaftans, shimmering embroidered jackets and fur coats, any of which could hold pride of place in a museum costume collections. Now many museum curators have snapped up her best ensembles, so eventually we will see the Gaultiers and early Gallianos and her Thea Porter gowns and early Versace and Kaisik Wong’s dramatic one-of-a-kind jackets. Swoon!




The ardent fashion aficionado was also a generous, life-long, arts supporter, benefiting the Fine Arts Museums of San Francisco, Save Venice (savevenice.org), as well as arts organizations and cultural activities around the world.

Dodie grew up in San Francisco in the twenties and thirites. She enjoyed a gilded family life in Pacific Heights, just a hop and a skip from her present residence. Her father, Michael A. Naify, and his brother, originally from Lebanon, built a theater chain at a time when cinemas in California were palatial. It was later sold to United Artists.




Dodie’s Francophile mother traveled to the Paris couture. Her young daughter was obsessed with art, fashion, style, creativity and fine craftsmanship as a teenager and sought out galleries and artists.

Dodie, like many young California girls of that time,was sent to finishing school in Switzerland. “They taught comportment for young ladies, how to hold a knife and good manners, but I would not call it an education,” recalls Dodie. “In those days, girls didn’t work, so that eliminated a whole world of interesting things I would have loved to explore.”



Dodie arriving for a ball at the Fairmont Hotel in the sixties.

She soon set out to correct that, studying art, visiting museums and making a point of meeting leading artists of the day.

Rosekrans, a lifelong autodidact, would eventually become a patron of young artists and university art programs, and was an honorary trustee for the prestigious Centre Pompidou Foundation in Paris, among many other posts. Her collections were scattered at her residences in Paris, Venice, Runnymede Farm in Woodside and San Francisco. Her taste is for quality and runs from Picasso and Parmigianino to Egon Schiele.




She recently caused a flutter in the art world by buying Tom Sachs’ provocative Chanel Guillotine/Breakfast Nook, a large counterweighted blade positioned above leather-upholstered swinging tools adorned with interlocking C’s.

This was a woman who could admire and appreciate gritty guillotines-as-art—and she displayed it in the opulence of her gilded and antique-filled 18th century Venetian palazzo, which was decorated by Tony Duquette and Hutton Wilkinson.

In 1960, Dodie married her second husband, the late John N. Rosekrans Jnr, the grandson of Alma de Bretteville Spreckels, the legendary wife of a sugar baron. De Bretteville Spreckels, one of the great San Francisco philanthropists of the 20th century, and donated the elegant California Palace of the Legion of Honor overlooking San Francisco Bay to the City.

John Rosekrans made another fortune as a business partner with his boyhood friend, John Bowes, marketing iconic sporting products including the Morey Boogie Board, Frisbee and Hula Hoop.


It was Rosekrans who encouraged his wife to buy couture, and their photo albums from the ‘60s and ‘70s are chock-a-block with party pictures of Dodie in Paris, wearing Balenciaga and Givenchy, and in San Francisco in Dior and Yves Saint Laurent in diamond parures and over-the-top strings of baroque pearls, emeralds and rubies. But here, too, Rosekrans showed her rebellious streak by also wearing African tribal jewelry, chunky antique Tibetan coral and turquoise necklaces, along with dramatically overscale Tony Duquette necklaces, strands of baroque Tahitian pearls the size of golf balls, along with walnut-sized emeralds and rubies like those in the treasure troves of the great Nawabs and Maharajahs of India. Sometimes, ornately dressed for a ball, she appeared to be wearing them all at once—a thrilling sight.

“I never set out to be dramatic,” said Rosekrans. “I look through my closets and jewelry cases and wear what appeals to me that day.’




In 1979, the Rosekranses acquired one of the most beautiful residences in San Francisco. Built in 1916 by architect Willis Polk, its atrium, with ornate stonework and columns, was copied from a Spanish Renaissance palace, the Casa de Zaporta in Saragossa. The couple hired San Francisco designer Michael Taylor to design the interiors.

Taylor created one of his most elegant and enduring interiors in California, with elaborate pilaster walls painted a soft gray, s parquet floors stained dark walnut. Taylor brought in eight bold and gutsy gilded Georgian chairs, a towering 12-panel Chinese Coromandel screen, and a pair of curvy sofas in a style favored by Elsa Schiaparelli.



Among Rosekrans’s collections are Greek antiquities and rare second-century BC Roman glass.

Lavish silk burlap upholstery, rich chartreuse cut silk velvet on the gilt chairs, and a series of majestic Chinese lacquered tables inset with mother-of-pearl, contrast with rough 4-foot tall Brazilian quartz crystals, massive geodes, tall African carved birds, and chunky Chinese jade collections.

“I have not changed a thing since Michael completed it,” recalled Rosekrans, dressed in Yamamoto, reclining in her study on an 18th century gilded French chaise longue. “He was a genius. I would not dream of altering his design. I’m very happy here.”


Michael Taylor included the complexity and richness of a 17th-century twelve-panel Coromandel screen, a perfect counterpoint to the elaborate pilasters and architectural details.
Rosekrans had a life-long love affair with art, and she enjoyed contemporary paintings and sculpture in her historic residence in San Francisco, in her Paris apartment, and the Venice palazzo. All of the carved stone fireplaces, moldings and architecture are original to the 1916 residence.

The 90-inch, round, travertine-topped dining table is a Taylor design. Antique chairs are from an English country house. The crystal-drop chandelier originally graced Maria Callas’ Paris apartment.


From her terrace, Dodie enjoys an expansive view of San Francisco Bay, the Golden Gate Bridge, Sausalito, as well as, at left, the dome of Bernard Maybeck’s baroque Palace of Fine Arts, 1915. The gilded chairs are Russian.


The smoking room is the purest expression of Michael Taylor’s design, with its walls arrayed in grass cloth, a stash of immense Brazilian amethyst crystals, and a pair of carved Senufo birds. The twig wall sculpture is by Charles Arnoldi, a Taylor favorite.


It is said that when the original Spanish Renaissance palace that inspired the Rosekrans house was damaged in the Spanish Civil War, envoys came to San Francisco to study it and restore the palace precisely. Fantail palms were a Michael Taylor favorite.




Dodie Rosekrans’ San Francisco residence is a replica of a Renaissance palace in Saragossa, Spain. Sculptor Leo Lentelli executed the ornate, carved stonework in the atrium, depicting frolicking cherubim, Bacchus, knights and monks.

Credits:

All images of the Rosekrans residence here by Lisa Romerein, used with express permission.

To contact the Realtor:

Malin Giddings, SF Properties
TRI Coldwell Banker
www.sfproperties.com
415-229-1211
415-531-5033
malin@sfproperties.com

15 comments:

Karena said...

Diane this is just an amazing account of an incredible woman!! Is there a book written on her life yet, or perhaps you should write one!

Come and enter my Great Giveaway from Tracy Porter!

xoxo
Karena
Art by Karena

The Devoted Classicist said...

It is a great house that was beautifully furnished.

Greet said...

Dear Diane,
Thank you so much for this post! Dodie was such a remarkable lady!
I do hope that her house in San Francisco will be sold to a person who has respect for the beautiness of it! I just love the paneled walls! And the gorgeous doors!! Splendid!
I enjoyed this post a lot!
I wish you a very nice day!
xx
Greet

The enchanted home said...

Wow...breathtaking and fascinating! I cannot imagine a more beautiful or palatial home to house such incredible treasurse and works of art in then the above "palace". That view.....just amazing. And what a live wire she is!

mimi said...

It is remarkable how great design remains timeless. Such a beautiful home.

Jane Hall The Voice of Style said...

Nice ti find about This woman as I had admired the home the Tony Duquette and Hugh Wilkinson had designed for her in Venice. I could see her wearing Tony's jewelery. I would love to see features on her other homes. She looks a little like Aubrey Hepburn in her younger days.

Jamie Herzlinger said...

Wonderful post about a stunning, elegant woman whose taste was truly trendsetting.
Thank your always spot on style of writing!
Have a great weekend ahead!
Jamie Herzlinger

Porchlight Interiors said...

Wow, what an amazingly stylish woman, stunning home and fabulous post! Thanks for sharing! Tracey xx

honeybeeandmeonline.net said...

It is rare in her world to be an original.... Most like to follow which is ok but, to just put one what you love and do it from your heart not your mind alone is a mark of a maverick...

xxoo
melissa

The Swan said...

Now that Larry Ellison has purchased the home...will Dodie and Michaels restoration of a Jewel continue? I do hope that this is a Sacred building to many who will keep the Vestal flame burning of History.

Diane Dorrans Saeks said...

Dear Friends-


Thank you so much for your heartfelt appreciation of Dodie--and this divine house.

It is buzzed that Larry Ellison did indeed purchase the house--or is in the process of acquiring it.
It will continue to be a private house, and Larry is fortunate indeed.
Note that the Michael Taylor decor exists only in these recent photographs Lisa Romerein took.
The furniture is in process of going to auction at Sotheby's. The rooms are empty, no art, no decoration, just beautiful empty rooms.
Enjoy the photos--of an ephemeral moment.
cheers, DIANE

Hoynotmanana said...

WOW! So privileged to know more about this fascinating woman!

shiree segerstrom said...

Ienjoyed your C Magazine article on Dodie Rosecrans last year and read it again recently as I was sorting through past issues. Thank you for a great post, as usual. Shiree'

MAX KING DESIGN•DECORATION said...

I remember sitting in the front row, between Mrs Rosekrans and Nan Kempner when I accompanied Lynn Beyer to the auction of Michael Taylor’s goodies in what? 1987? Three of his heaviest-weight clients. And me. All the dealers and decorators in the rows further back were no doubt wondering what the hell I was doing up there. Mrs Beyer’s daughter was my friend and client, and I used to love to go to their warehouse to pluck treasures for the daughter’s houses from what had been put in storage while they built the Lautner house, into which almost nothing from their Holmby Hills house (the most beautiful house in Los Angeles,) went.

Hi DIANE, I was just remarking to Franklin Kakies that there is no such thing as 6 degrees of separation, and then I found your blog among the ones he follows, so I was proven right. Wonderful blog. I want the Rosekrans house a lot.

Best, Max

Beverley Jackson said...

Thank you for doing this story. She was a most
original woman who wasn't afraid to always
do her own thing-- assisted by some of greatest
talent in the world!