Monday, June 27, 2016

A Russian Passion for Chinoiserie: Charming and Inspiring New Interiors by Kirill Istomin, and a Russian Mystery Solved

This week, I’m introducing the marvelous Russian interior designer, Kirill Istomin. He worked with Parish-Hadley, and you’ll see that Kirill has both the architectural astuteness of Mr. Hadley, and the whimsical, playful style of Mrs. Parish.

We visit a charming royal pavilion with a history dating back to 1820. It’s in a royal park near St. Petersburg and now displays delightful interiors Kirill recently designed. The imperial Russian obsession with Chinoiserie has a fascinating history and many plot twists, not to mention destruction and a phoenix-like new beginning. We’re examining Russian Chinoiserie as well.

Come with me for a chat with Kirill Istomin about this project.

And I have expert information on the Russian obsession with Chinoiserie, from my great friend, Olga Bychek, the top culture and architecture and design guide in St. Petersburg.

I was visiting the Catherine Palace in St. Petersburg a few years ago with Olga and we first saw the Chinese Village at Tsarskoe Selo, as we walked in Alexander Park.

We walked across the newly restored Chinese bridge, and we wondered about the pavilions in the park, which seemed at the time to be deserted. Now we know. They were restored, after many years of neglect, by patrons of Russian architecture and history. One pavilion, a weekend retreat, is in the very accomplished hands of Kirill Istomin.

Kirill Istomin, who studied design at Parsons and worked in New York, is one of the top designers in Russia. He has offices in New York and Moscow.

If you live in Moscow or St. Petersburg, and are involved in the design, architecture, art, and style worlds there, you would be very familiar with the polished and accomplished interior design by Kirill. He seems to be in every issue of AD Russia and Elle Décoration Russia. He has clients in New York, Kazakhstan, Paris, London, and Portofino and the San Francisco area.

A Conversation with Kirill Istomin — Superb Russian Style: For the Love of Chinoiserie

DDS: Kirill, I am so happy to be publishing your Chinoiserie-inspired interiors. I am fascinated that in the late eighteenth century, Russian royalty was crazy for Chinese Imperial architecture and art and porcelains. They avidly studied books on the style.

I am thrilled to have my project featured on The Style Saloniste. Thank you for having me! Starting from the second quarter of the 18th century Russian royals and aristocracy were fascinated by European fashion of Chinoiserie. The Imperial courts of China were considered to have the ultimate taste and refinement. Russian kings and emperors were particularly influenced by French and Prussian courts. As you know, Catherine the Great was born a German princess herself, so it's was very natural she was very interested in European architecture and decor. At the early years of her reign, Chinoiserie vogue was at its peak. A kind of mania. Embroidered silk textiles, paintings, lacquerwork, fantasy pavilions, porcelains, temples, bridges, statuary, figures, doors, carving, ornament-- her architects worked with them.

DDS: I have traveled in St. Petersburg extensively, and have seen that exotic cluster of ‘Chinese Village’ pavilions in the Alexander Park. We wondered who was living there now. It’s your client—with your fantasy interiors.

My clients helped to restore the Chinese Village at Tzarskoe Selo after it was ruined during WW II. The village was originally commissioned by Catherine the Great as a series of small guest cottages for visiting nobles. It consists of a Chinese pagoda in the middle and twelve small one-story cottages around - all done in a fairytale imaginary Chinese style. My clients stay in one of the twelve pavilions. Since it's mainly used as their weekend retreat its fancy decor never gets too tiring.

DDS: With the new décor, you honor the original concept of this style—but you’ve brought it up to date with no heavy period feeling.

No records survived of how rooms looked like before the revolution. I had complete carte blanche from the client, every decorator's dream! The idea was to create fun and happy decor with some references to original historical architecture. Not the exact accurate copy of outside decor but something rather new being inspired by 18th whimsy. I wanted to keep same fairytale ambiance but make it modern and suitable for contemporary living. I hope the empress herself would have been pleased with the final decor if she lived today.

DDS: The colors and fabrics create a light-hearted feeling to the rooms.

I love color and beautiful fabrics! It's a great tool to transform rooms quickly and doesn't require a big budget. I start working on the interior architecture and furniture layout together with choosing fabrics and textures. It all happens simultaneously. It's just my way of decorating spaces! Pavilion facades are beautifully decorated with Chinese ornaments and different signs based on archival documents which show how cottages looked back in the 18th c. All outside decor is painted so my clients have to freshen it up every two years from Russian winters.

I used colors of the facade decor as inspiration for wallpapers and fabrics in the rooms. All walls except study are white which create a perfect background for fun looking antiques, Chinese export porcelain and colorful upholstery; there is nothing very expensive in the decor. We used lots of good-looking vintage and antiques pieces. While working on this project clients and I gathered a nice collection of antique Chinese export porcelain. Our pride is a fun set of antique Chinese teapots from he late Brooke Astor's estate. A set of five large Imari vases in the study is, however, museum quality. Besides this it’s all about good-looking colorful visuals rather than serious pieces. Custom upholstery adds comfort to rooms.

DDS: The fabrics and colors refer to the gardens just outside the windows.

Yes, it's exactly what the initial idea was. A weekend retreat. Fun, easy and whimsical were the key words of the project! I think we succeeded in this. 

DDS: I love the Chinoiserie style of the baseboards and the doorways. It’s a witty counterpoint.

Painted ornament on baseboards and doorways in the living room was copied from the Chinese study at Peterhof Palace - another royal palace outside St. Petersburg built by Empress Elizabeth, Peter the Great's daughter. The original ornament in Elizabeth's study had touches of gold but here I decided to simplify it and use no gold but cheery colors instead.

DDS: Kirill, thank you. It’s a great pleasure to chat and learn about this interesting period in Russian style history. Bravo to you.

Thank you very for expressing interest in my work. I hope readers will enjoy the images of the rooms. The photography was done by the great Fritz Von Der Schulenburg. It was a big privilege having him shoot the project. 

The Fantasy

This Chinese Pavilion, with interiors by Kirill Istomin, is set among birch trees and meandering streams and even a highly ornamental Chinese bridge, in Alexander Park. It's adjacent to the Catherine Palace, in Tsarskoe (also spelled Tzarskoe) Selo about half an hour’s drive from St. Petersburg.

It was designed by the celebrated Antonio Rinaldi, who had already built for Catherine the superb and legendary Chinese Palace at Oranienbaum. (I've been fortunate to visit that summer pavilion several's the one with bugle-bead embroidered Chinese designs on t he walls.)

Simple upturned roofs were homage to Orientalism. The village was one of the first architectural victims of the Nazi invasion, and was completely gutted during the shelling of Pushkin in 1941, as were the Catherine Palace and the Hermitage.

The village has been fully restored, and the cottages once again serve as apartments, leased to help raise funds for the restoration of the park.

The Chinese Village consists of ten single-storey cottages surrounding an octagonal pagoda-observatory. 

The Fashion for Chinoiserie

Special insight on the Russian passion for Chinoiserie, from my great friend, Olga Bychek, the top St. Petersburg culture guide.

Olga—whom I was fortunate to meet on my first tip to St. Petersburg some years ago, recently opened her own specialist guide company, Be Happy Russia. Details about Olga and her company below.

I asked Olga about the royal Russian obsession with Chinoiserie. She told me, “From as early as the 17th century) Russian royal leaders saw art and porcelains and architectural studies from China and it became a sign of prestige to copy them.

“This love and avid admiration of Chinoiserie in Russia starts at the time of Peter the Great. There was a great interest in Chinese fine porcelain, porcelain ware, porcelain objets de fantaisie (figurines, seashells, fruit), porcelain studies/rooms. During his trip to Europe in 1712-15 the Russian tsar saw how European monarchs competed with each other – saw porcelain studies of the Prussian royal residences and the collection of his ally in the Northern war – king August II of Saxony. Peter I as usual, wanted to exceed Europe in everything. This resulted in having a Lacquer Room (1720-22) designed in Monplaisir Palace in Peterhof (viewable today) and making big orders of Chinese-inspired porcelain in Holland and directly in China to decorate palaces in St. Petersburg.

“Chinese architecture, temples, motifs, embroidery, jade, glassware, graphic imagery, lacquer screens, bugle beadwork, jewels, gold, silver, and artistry all inspired Russian as a kind of “Paradise of Enlightment”. Chinese ‘exoticism’ was a mania at the end of 18th century as reflected in Voltaire’s work). And many examples—the Chinese Pavilion at Oranienbaum, and the Chinese Village at Tsarskoe Selo) can be visited today.

“It’s interesting to see that the Swedish royal court, and French and English and German monarchs were also obsessed with Chinoiserie in the 18th century. Italians and Portuguese kings as well. None of them actually went to China. But everone wanted the status of Chinese artistry, craft, and style. They did not need to visit China—they studied books, drawings, paintings, and brought specialist artists and architects to copy.”

Thank you, Olga.

The Chinese Palace at Oranienbaum near St. Petersburg is a fine example of Chinoiserie from the eighteenth century. In particular, the legendary beaded panels of one of the rooms shows bugle beads sewn onto silk with Chinoiserie images of cranes and trees. The billiard toom there has Chinoiserie styles mixed with Russian.

I propose: make a plan to visit St. Petersburg and view the Chinese palace. But check with Olga first to make sure it is open. It is often closed for restoration.

About the Chinese Pavilions and Village

The big “Rotunda” Pavilion seen from a distance makes a compositional center of the village today.

“The Rotunda” was restored in 1990s by architect Kalikow with funds from Pushkin Development A/S which leased the Village 25 years ago (in 1991) for 49 years (the longest possible leasing period in Russia).

Now there are 28 apartments that can be used as guesthouses. They are private—but can be viewed in the park.

About Kirill Istomin

Russian interior designer Kirill Istomin worked for Albert Hadley before starting his namesake firm with headquarters in Moscow and NYC. Istomin is known internationally for his colorful and playful high-end designs with contemporary takes on classical European design traditions. His design firm manages projects in France, Italy, Great Britain, Russia and the U.S. Istomin's fine arts degree in interior design is from Parsons, New York. He began his career at the iconic interior design firms, Parish- Hadley. Parish – Hadley afforded Istomin an unparalleled experience collaborating with the patriarch of American design Albert Hadley. In Russia, Istomin writes a column for Elle Decoration, and he has been featured numerous times in AD Russia as one of the top designers in the country. Istomin has received international awards, including twice being awarded by Decorators Club of New York for “Excellence in Interior Design of Residential Architectural and Historical Landmarks” and for “Best Design”.

About Olga Bychek

Olga Bychek is the top culture, architecture, art and design guide in St. Petersburg with a dazzling international roster of clients. She is the CEO and founder of BeHappyRussia Travel Company, St. Petersburg.

I’ve worked with Olga in St. Petersburg. She is an engaging and charming guide. Her English is flawless and she is devoted to creating an in-depth, custom experience for each client. I’ve referred many clients to her, including Sting and Denise Hale and Glenda Bailey and Ralph Rucci and many academics and architects and designers. She has Expert Council on the Guides’ State Accreditation, and is a Committee for Investments and Strategic Projects of St. Petersburg Government, Board Member. She is greeted by name at the entrances of the Hermitage and royal palaces, and she and her guests are welcomed and they enter first.

Most importantly for visitors to palaces and museums she is a State-Accredited Guide of St. Petersburg and its suburbs (Top category, License ID #01572 issued by the Committee for Investments and Strategic Projects of St. Petersburg Government, Russia). She engages with groups and individual travelers.

Tours she offers: Hermitage, Fabergé Museum, State Russian Museum, St. Isaac’s Cathedral, Sts. Peter and Paul Fortress, Church on the Spilled Blood, Yussupov Palace, Peterhof palaces and parks, Faberge Museum, Catherine Palace, Alexander Palace, Pavlovsk, Peter I’s log cabin, Rivers and Canals.

In particular she offers exclusive tours on Musical life in St. Petersburg at the time of Nicholai Rimsky-Korsakov; Fashion in St. Petersburg(20th century); Romantic St. Petersburg; Life of Nevsky Prospect (past and present); Art Nouveau in St. Petersburg architecture; Constructivism in Leningrad architecture; History of St. Petersburg Mansions; Memorial places of Peter I, Last Romanovs; Political murders; Bolsheviks and October Revolution.

She also offers in-depth tours of architectural styles of St. Petersburg, Parks and Gardens of St. Petersburg and its suburbs, Russian Orthodox Cathedrals, Jewish highlights. Travelers in Russia often engage with her for a week, and may include all of the top sites, with perhaps the Maryinsky Ballet or a performance or musical event in the evening. Olga also engages excellent drivers, arranges restaurants. Be sure to let her know you found her on THE STYLE SALONISTE.


Photography of Kirill Istomin's interiors by Fritz von der Schulenburg.

Kirill Istomin, Interior Design & Decoration
Moscow +7 495 645 01 36
New York +1 917 453 52 33

For all inquiries:

Monday, June 20, 2016

A Talent to Amuse

This week I’ve got culture covered with a report on a favorite San Francisco gallery, Modernism, and a wonderfully witty exhibit to catch. Art dealer Martin Muller has a fantastic eye and mind for new talent and fresh ideas.

Through June 25 (and via an e-catalog) catch the subversive art of Denver painter, Shawn Huckins, and the wildly imaginative studio ‘portraits’ by Damian Elwes, a British ex-pat living in Santa Monica. I love the irony, artistry and spirit. Come over and discover.

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Modernism’s Latest Show

I’ve been an admirer of Modernism gallery in San Francisco for some years, and always pay attention to the exhibitions and discoveries of its owner and founder, Martin Muller.

Through June 25 (and available for viewing through an electronic file) two new exhibits and collections recently caught my eye. Painterly precision, irony, enquiry, and engagement are evident in the paintings.

This new show, featuring new art by Shawn Huckins and Damian Elwes, is one to discover in person if you can. Modernism is just around the corner from SFMOMA. Devote a day to art—or request an e-catalog.

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"So the easy looking aspect of Elwes’s canvases, the sense of painterly well-being that pervades them, comes from painstaking research. He visited each studio and culled hundreds of photographs of them from the Internet and more traditional resources. These were attached to the walls of his California studio as he worked." — Anthony Haden-Guest

About the Exhibits

Shawn Huckins
Through June 25, 2016

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Damian Elwes

Through June 25, 2016

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About Modernism Gallery

Founded in 1979, Modernism has since presented more than 375 exhibitions, historical and contemporary, in media ranging from painting to photography, sculpture to performance, by an international roster of artists.

Historical exhibitions encompass concepts including Dada, Cubism, Surrealism, Vorticism, German Expressionism, and foremost, the Russian Avant-Garde 1910-1930.

The contemporary exhibits feature rotating shows, six to seven weeks in duration, of the nearly 50 gallery artists—including various representational and abstract modes, sociopolitical, and conceptual works—presented at both Modernism and Modernism West, as well as at art fairs in the United States and Europe.

Modernism publishes collectible books, monographs, catalogs, and fine art editions. Martin Muller is noted for his discernment and collections of art and design books, and for his eclectic gallery publications. His art and design book collection, legendary, is said to include 25,000 books.

Martin Muller

Throughout its 35 plus years, Martin Muller has keep the gallery's challenging, museum-quality program at the forefront of the art world.

Early landmarks included being the first gallery to show Andy Warhol in the Bay Area (1982), and holding the first exhibition on the West Coast (in a gallery or museum) of the Russian Avant-Garde 1910-1930 (1980, 17 more retrospectives have since been mounted).

In the 1990s Modernism highlighted n abstract series with the exhibition of "Four Abstract Classicists" (1993), a recreation of the show presented by the Los Angeles County Museum of Art in 1959.

Muller introduced the confrontational, and often disturbing, conceptual works of Austrian born artist Gottfried Helnwein (1992).

Modernism gallery 
Martin Muller, President/ Founder
Danielle Beaulieu, Director

About Martin Muller

Swiss-born art dealer Martin Muller opened Modernism in San Francisco’s South of Market district in the fall of 1979, bringing artistic curiosity, rigorous intellectual sophistication, and an enthusiasm for aesthetic risk-taking. 

Since the seventies, legendary international art dealer Martin Muller was the first West Coast gallery to exhibit Kasimir Malevich. More than 400 exhibitions have encompassed Dada, Cubism, Surrealism, Vorticism, German Expressionism, and foremost, the Russian Avant-Garde 1910-1930.

Muller has attracted a superb list of artists (John Register, Peter Lodato, Valentin Popov, Charles Arnoldi, Gottfried Helnwein, Naomie Kremer and over 50 more) as well as a passionate, curious, devoted and loyal clientele and fans around the world.

Over four decades Muller’s discernment and prescience are evident. He avoids trends, and often veers far ahead of art collectors’ curiosity.

Modernism’s 1982 ground-breaking Andy Warhol exhibition — the first time the Pop artist’s work was shown on the West Coast. The show turned out to precede California’s enthusiasm for Pop art. Only one painting sold, for a minute $20,000.

Muller, who has a broad international following, has mounted for than eighteen retrospectives of the Russian avant-garde.

Muller, who has always included photography in his roster, was the first California dealer to show the works of architect Le Corbusier, along with fashion photographer Erwin Blumenfeld, and he paintings Viennese conceptual artist Gottfried Helnwein.


The Monadnock Building
685 Market Street, Suite 290 (near Third Street)
San Francisco, CA 94105
(415) 541-0461

Modernism is a five-minute walk from the dramatic new SFMOMA, in the heart of the burgeoning San Francisco art scene.

Note: for an electronic catalog of the paintings of these two artists contact Modernism.


All photographs courtesy Modernism gallery.